John Alan Lasseter
Born on January 12, 1957 in Hollywood California USA,
his mother was an art teacher who encourages him at a young age to follow his
talents. After reading about the Walt Disney Company in high school he was
inspired to become an animator. Disney was in the process of setting up an
animation program at CalArts, and Lasseter became the second student accepted
into the program. He attended the California Institute of arts where many talent
animators from Walt Disney taught. While there he created his first two short films
which both won awards. After graduation in 1979 he got his first full time job
as an animator at Disney and worked on a few animated Disney features. He
worked for about five years with Disney. During his first experience with computer
animation when working on Tron he was intrigued by the possibilities. After
being too over ambitions for advancing into computer animation by his superiors
he was fired in 1983.
The next year he was hired by Lucas film Ltd. he was first
assigned to direct a short film. This was the first time movies featured
computer generated characters (young Sherlock stain glass solider.). In 1986
John created a standalone company known as Pixar with Steve jobs that focus
mostly on deployments and sales of the animation software. Pixar made TV commercials
and short films that John directed but had no big successes. In 1991 Lassertor
directed Pixar first full length film and the first computer animated full length
film which was a ground breaking achievement the very successful Toy Story in
1995. Earning him his second academy award, He then went on to direct Bugs life
and Toy story2 both being big hits in the box office. Then co-directed and
wrote Cars and produced many other Pixar films. Lasseter returned to Disney
when Disney bought Pixar in 2006 and was made chief creative officer of both
Pixar’s and Disney’s animation operations, and in that capacity he produced
numerous features.
Where the nitemare are short animation criticism
Being one of the animator’s first animation pieces I can
already see why it won an award. You can already see the deployment of John’s signature
of having relatable story with everyday objects and giving them life and
personality. Don’t all children remember a time when they’re in room late at
night and the shadows and objects seemed to move and become monsters of all
kinds. The cute short has fun designs in characters
and an interesting story line providing a very fun ending. Though nothing is in
colour and everything is a pencil drawing all characters seem to be really well
animated with the squish and stretch being manipulated perfectly throughout the
short film.
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